BUDDHIST SCROLL PAINTINGS AND OUTDOOR CEREMONIES IN KOREA AND LADAKH

Abstract

This research examines the comparative ritual functions of large-scale Buddhist scroll paintings in outdoor ceremonies between Korea (Gwaebulhwa) and Ladakh (Thangka). Although both have roots in Buddhist traditions, they have developed unique styles and meanings in their local settings. The study has two main goals: to identify and analyze the core functions of these large-size paintings in Buddhist outdoor ceremonies, examining how they serve as focal points for spiritual devotion and community gathering, and second o compare the thematic and iconographic elements present in these paintings, and how they reflect Buddhist ideas in different ways in Korea and Ladakh. The research is based on field visits, historical records, and interviews with monks, artists, and scholars. Case studies show both shared beliefs and differences in how these artworks are made and used. The findings suggest that these scrolls are more than just a religious art. They help connect the everyday world with the sacred during ceremonies. By looking at both Korean and Ladakhi traditions, this study offers a deeper understanding of Buddhist art and rituals and highlights the importance of preserving these cultural practices in today’s changing world.