THE UNIQUENESS OF YINGGE MASKS AND REGIONAL CULTURAL IDENTITY: A COMPARATIVE ANALYSIS OF DIVERSE MASK CULTURES

Abstract

This research aims to compare Chaozhou Yingge masks with masks from other regions, examining their uniqueness in terms of cultural background, design elements, and symbolic significance. As an important cultural symbol, masks not only play a key role in theater and rituals but also reflect the social structures and religious beliefs of each region. Through an in-depth analysis of Yingge masks, Chinese opera masks, Indian Kathakali masks, Japanese Noh masks, Italian Venetian masks, African tribal masks, and Thai Khon masks, this study summarizes the historical evolution and cultural implications of various types of masks. The research adopts a combined method of literature review and case analysis to systematically categorize the design characteristics of different masks, such as shape, color, and patterns, and explores the cultural meanings and functions they embody. The findings reveal that Yingge masks in traditional theater not only hold aesthetic value but also carry rich local cultural and social histories. This study contributes to a better understanding of Chaozhou culture and its intangible cultural heritage, supporting the preservation and development of Yingge masks in modern culture. Future research could further explore the application of these masks in contemporary art and design, providing new ideas for the development of the cultural and creative industries.