THE NARRATIVE CONNOTATION OF FASHION ELEMENTS IN ANIMATION PERFORMANCES UNDER THE VISUAL SYMBOLIC THRESHOLD

Abstract

This paper explores the narrative connotation of fashion elements in animation under the theory of visual semiotics. Through the analysis of three classic animation works, "Mulan," "Paradise Kiss," and "Spirited Away," it reveals that fashion elements not only enhance visual aesthetics but also convey characters' inner worlds and emotional states through sign systems, driving the story forward. For example, in "Mulan," the transformation of costumes symbolizes her struggle between family and social expectations; in "Paradise Kiss," fashion choices reflect characters' personalities and psychological states; in "Spirited Away," clothing changes showcase character growth. Visual semiotics provides an effective method to interpret these elements, revealing their deeper meanings.