Greating Art With Metaverse to Disseminate Knowledge of Important Buddha Images in Kanchannaburi Province

Abstract

The Creation of Art through Virtual Reality (Metaverse) Technology for Disseminating Knowledge of Significant Buddha Images in Kanchanaburi Province This research aims to achieve three objectives: (1) to study the historical background,
significance, beliefs, and iconographic styles of Buddha images; (2) to analyze the characteristics of significant Buddha images in Kanchanaburi Province; and (3) to create artistic works using virtual reality (Metaverse) technology to disseminate knowledge regarding these significant Buddha images.

Research Methodology, This study employs a qualitative research methodology. Primary and secondary data were collected from Buddha images housed in 15 temples across 13 districts within Kanchanaburi Province. Data collection involved fieldwork, document analysis, and interviews with 20 individuals, including monks and community experts. Subsequently, five significant Buddha images were selected based on the recommendations of three subject-matter experts.

Research Findings, 1) The study of the historical background, symbolic beliefs, and stylistic features of Buddha images reveals that Indian Buddhist art comprises several stylistic schools, including Gandhara, Mathura, Amaravati, Gupta, and Vakataka-Chalukya styles. As Buddhism spread into Thailand, various Thai artistic styles of Buddha images emerged, corresponding to distinct historical periods such as the Dvaravati, Srivijaya, Lopburi, Chiang Saen, Sukhothai, Ayutthaya, and Rattanakosin periods. The creation of Buddha images reflects beliefs related to serenity, compassion, liberation from defilements, as well as wishes for blessings, fortune, love, and rainfall. These beliefs also foster religious engagement and establish the Buddha image as a focal point for communal spiritual life.

2) The analysis of significant Buddha images in Kanchanaburi Province identifies four primary stylistic categories: (1) local styles influenced by Khmer art, (2) local styles influenced by Sukhothai art, (3) local styles influenced by Ayutthaya art, and (4) local styles influenced by the Rattanakosin period.

3) The creation of art using virtual reality (Metaverse) technology for disseminating knowledge about the significant Buddha images in Kanchanaburi demonstrates that the five selected Buddha images (1) the Buddha image at Tharuea temples, (2) the Buddha image at Kanchanaburikao temples, (3) the Buddha image at Nongbua temples, (4) the Buddha image at Intharam temples, and (5) the Buddha image at Ban Thuan temples enable users to engage in immersive, interactive 3D environments. Users can interact with and respond to the virtual surroundings, enhancing their learning experience.

Conclusion, The creation of artistic works through virtual reality (Metaverse) technology for disseminating knowledge of significant Buddha images in Kanchanaburi Province emphasizes the integration of digital innovation in promoting greater accessibility and comprehension of Buddhist iconography. This approach reflects the potential of harmonizing traditional Buddhist art with contemporary technology as a means of preserving and transmitting cultural heritage.