The Creation of Lai Kham Art with Mixed Techniques of Stencil and Hai Dok Pattern’s Scraping.

Abstract

This research aims to explore and create The Creation of Lai Kham Art with Mixed Techniques of Stencil and Hai Dok Patternís Scraping. The objectives are threefold: To investigate the history, techniques, and forms of Kham Lanna designs. To develop a hybrid technique for creating Kham Lanna designs by combining stenciling and Hai Dok Patternís Scraping. To create unique and distinctive Kham Lanna designs.

The research unveils the rich historical tapestry of Kham Lanna designs, characterized by a diverse array of creative techniques. Among these, with Mixed technique of stenciling and Hai Dok Patternís Scraping stands out as a hallmark of Kham Lanna artistry. This technique involves applying gold leaf to a stenciled design, followed by the meticulous addition of incised lines to enhance the intricate details. This distinctive approach sets Kham Lanna designs apart, making them a prevalent feature in the ornamentation of Lanna temples. Stenciling plays a pivotal role in establishing the primary forms of the design, often featuring geometric patterns, floral motifs, or depictions of Devatas  (Buddhist deities). Hai Dok Patternís Scraping, on the other hand, introduces a layer of refinement, employing sharp tools to etch delicate lines upon the gilded surface. The harmonious blend of these techniques produces exquisite Kham Lanna designs, renowned for their elegance, intricacy, and graceful flow.