An Art-Historical Analysis of Prang-Style in Kanchanaburi Province

Abstract

The analysis of prang-style stupas in Kanchanaburi Province is historical art research conducted through qualitative methodology. The objective of the study is to analyze the architectural characteristics of prang-style stupas in the province.

Research Methodology This study employed qualitative research methods, focusing on seven selected prang-style stupas in Kanchanaburi. Data were collected from both primary and secondary sources, including field surveys, documentary studies, and interviews with seven monks and local experts. The selection of the seven stupas was verified by three specialists in the field.

Research Findings The analysis revealed that the seven prang-style stupas studied are: (1) Wat Nang No Prang, (2) Wat Khao Rak Prang, (3) Wat Khun Phaen Prang, (4) Wat Inthararam Prang, (5) Wat Srakrabeung Prang, (6) Wat Than Kan Prang, and (7) the Three Pagodas. These stupas can be classified into four stylistic groups based on the design of their spires: 1) Corn-shaped spires: Wat Nang No Prang and Wat Khao Rak Prang, dating to the Early Ayutthaya period. 2) Slender spires with star fruit-shaped top: Wat Khun Phaen Prang, dating to the Middle Ayutthaya period, while Wat Inthararam Prang and Wat Srakrabeung Prang belong to the Late Ayutthaya period. 3) Large-headed prang: Wat Than Kan Prang, dating to the Late Ayutthaya period. And 4) Double-tiered base prang: The Three Pagodas, dating to the Late Ayutthaya period.

Conclusion The artistic features of prang-style stupas in Kanchanaburi reflect strong influences from Ayutthaya art and architecture, while also displaying distinctive local characteristics. Notably, the large-headed prang at Wat Than Kan demonstrates a unique form of local artistic development within the religious and cultural context of Kanchanaburi.