Creative Patterns and Inhering the Art of Sculpture of Lampang Temple

Abstract

This academic article has three main objectives: 1) to study the history and identity of stucco art, 2) to explore the creation and transmission of stucco art, and 3) to analyze and propose creative and inheritable models of stucco art in temples in Lampang Province. The research methodology employed qualitative and documentary research, including in-depth interviews and analysis of data from open-ended questionnaires. Descriptive content analysis was applied to information obtained from 6 key informants.

The findings reveal that: 1) The history and identity of stucco art in Lampang temples are characterized by intricate decorations, including floral patterns and legendary creatures from the Himavanta forest in traditional Lanna art style. Temple doors, windows, and vihāras are adorned with detailed stucco motifs and vase sculptures drawn from literature, blending traditional
techniques with contemporary designs.  2) The creation and transmission of stucco art in Lampang
temples are systematically planned. Skilled craftsmen, predominantly using local materials,
produce valuable works of art. The techniques and knowledge are passed down through
observation and skill practice within kinship networks, continuing from the past to the present. 
3) The creative and transmissible models of stucco art in Lampang temples are distinguished by figurative sculptures of deities, mythical creatures such as Garuda and Nāga, and depictions of Thai kings. Rooted in religious beliefs, these works are preserved and promoted for future generations as invaluable heritage while also contributing to cultural tourism and integrating with contemporary design.