An Analytical Study of Motivation Theory in Creative Painting within Surrealist Art

Abstract

This study of surrealist painting aims to analyze the theory of motivation as reflected in surrealist artworks an artistic movement that flourished in the 20th century, characterized by its unique ability to express dreams, the unconscious mind, and irrational imagery beyond the confines of logical reasoning. This research employs a qualitative analytical approach through the examination of the works of four surrealist artists: Salvador Dalí, René Magritte, Leonora Carrington, and Max Ernst. The analysis focuses on the expression of gender identity, desire, fear, and the inner emotional states of the human psyche.

The findings reveal that Surrealism is not merely a space for the expression of the
unconscious, but also a platform that profoundly reflects perspectives on gender and inner
motivations, particularly concerning femininity, masculinity, and power relations within the artistic sphere. Moreover, Sigmund Freud’s theories are found to have greatly influenced the concepts and symbolism in these artworks, serving as a framework for analyzing thought processes that lead to creative production.

This article aims to broaden the understanding of the interconnection between gender and art by proposing a new approach to viewing Surrealist paintings through the dimensions of
personal motivation and the underlying social structures of gender embedded within creative works.