Creative Lanna Dharma Chests : Creating Decorative Patterns of Lampang Identity

Abstract

The research article titled ì Creative Lanna Dharma Chests : Creating Decorative Patterns of Lampang Identityî has the following objectives: 1) To study the history, design, and distinctive characteristics of Lanna Dharma chests found in temples within Mueang Lampang District, Lampang Province, in order to establish an accurate and beneficial database for art research. 2) To develop creative designs and patterns for Lanna Dharma chests by integrating contemporary artistic concepts that reflect the cultural identity of Lanna in Lampang Province. 3) To disseminate knowledge about Lanna Dharma chests in ways that promote learning and conservation through educational activities and accessible, sustainable media. This study employs both qualitative and quantitative research methods. The research area includes 55 temples within Mueang Lampang District, Lampang Province, with a total of 148 Lanna Dharma chests examined. Data collection was conducted through field surveys, document analysis, and the development of learning activities. A total of 14 participants, including monks and laypersons aged between 15 and 17 years, took part in the learning activities.

Research Findings : 1) Lanna Dharma chests were used to store palm-leaf manuscripts inscribed with Lanna script. These chests are typically made of wood with a top-opening lid. The chests generally have a trapezoidal shape, with the top widening out and tapering toward the bottom. The study identified six distinct forms of Dharma chests found in temples within Mueang Lampang District, Lampang Province: (1) Trapezoidal shape (2) Rectangular shape
(3) Square shape (4) Urn shape (5) Prasat (temple-like) shape (6) Cabinet-style Dharma chest 2) The data on the designs and patterns of Lanna Dharma chests were collected and analyzed to create new patterns. These patterns were presented through the techniques of traditional painting, including the Kham (letter) design, Kern (interlocking) design, and gold leaf decoration. The design focused on the identity of Lampang, using the Sai-Moo Wiang Lakorn pattern as the central motif. Additionally, the study displayed patterns found on the Dharma chests, presented in the form of plywood structures, with the outline of the Lanna Dharma chest shape. A total of 5 pieces of artwork were created. 3) A workshop was organized to showcase the creative works related to Lanna Dharma chests. The activity focused on helping participants understand the design, patterns, and techniques used to create decorations on Lanna Dharma chests. The workshop also served as a platform to share data from the research surveys, with the goal of preserving and promoting the role of Lanna Dharma chests, ensuring their continued existence for future generations.