Politics in the Definition of the Buddhist Art of Maha Sarakham Province: Political Forms and Characteristics in Determining the Buddhist Art of Maha Sarakham Province

Abstract

This study aims to present information on the political forms and characteristics in the definition of the Buddhist art of Maha Sarakham province. It is a qualitative study with the “oral history” data collection technique. The method was in-depth interviews with 13 key informants. The collected data was then analyzed using descriptive analysis to reveal the connection between Buddhist art and the social context.

The findings revealed that the Buddhist art of Maha Sarakham province is not an isolated art form, but rather a product of interplays between religious, cultural, and political factors within a multicultural context influenced by converging cultural sources. Furthermore, the study found that political actors at various levels, from the government and key national institutions to educational institutions, community leaders, and local artisans, play significant roles in shaping the Buddhist art. This study highlights that Buddhist art is a significant reflection of power relations and social integration in the area.